SOLANGE MACARTHUR AWARD FOR NEW CHOREOGRAPHY
Named in honor of founder and benefactor Solange MacArthur, this award deepens Lumberyard’s dedication to the development of new work by supporting artists at crucial moments in their careers. Each year, a selected choreographer is provided with commissioning funds, fee-free fiscal sponsorship, strategic marketing and development support, and a full presentation of the new work. Commissioned artists are selected through a closed nomination process conducted by Lumberyard’s Artistic Advisory Board.
Solange MacArthur Award Recipient
Kathy Westwater creates art that exists in the human body. Described by Dance Magazine as “bloodless and fascinating” and The Brooklyn Rail as “at the limits of the human,” her work responds to contemporary experience and the societal landscape in which it manifests by reimagining the body' movement potential.
Westwater’s most recent work, Anywhere, asks how a dance might engage with and itself be a monument. Her major works have explored the built environments of landfills and parks (PARK); phenomena of war and pain (Macho); human and animal culture (twisted, tack, broken); psycho-physical states of fear (Dark Matter); and interactive virtual environments (The Fortune Cookie Dance).
Developed in New York City, since 1996 her dances have been seen at New York Live Arts, Franklin Furnace, Danspace Project, Joyce SoHo, 92nd Street Y, Movement Research at Judson Church, Brooklyn Museum of Art, Dixon Place, Lower Manhattan Cultural Council, Performance Space 122, Brooklyn Arts Exchange, Brooklyn Studios for Dance, Temple University, Pratt Institute, Reed College, and many parks and public spaces, among others. Her work The Fortune Cookie Dance is cited in The Drama Review as an early example of online interactive dance and archived in the Walker Art Center’s Mediatheque Archive.
Westwater has received commissions from New York Live Arts and Danspace Project; and awards from Puffin Foundation, Franklin Furnace Fund, Meet the Composer, and New York Foundation for the Arts. She is the recipient of numerous residencies: New York Live Arts, Djerassi, Movement Research, NYC Department of Parks and Recreation, iLAND, The Field, Rockbridge Artist Exchange, Millay Colony for the Arts, Lower Manhattan Cultural Council, and Pratt Institute; and was also named a Mellon Anchor Tenant Artist by the Joyce Theater Foundation. Early support included space grants from 92nd Street Y Harkness Center and Brooklyn Arts Exchange, and a fellowship from Summer Stages Dance Festival.
Inspired by early studies with Simone Forti, Dana Reitz, and Sara Rudner, Westwater has since been described by Rudner as a “seminal artist.” In addition her own work, Westwater has danced in reconstructions of Simone Forti’s groundbreaking works Slant Board and Huddle at Lincoln Center and Steve Paxton’s influential Satisfyin‘ Lover and State at the Museum of Modern Art. She originated roles in Historias and Familias, both by choreographer Merián Soto & visual artist Pepón Osorio, and performed them nationally and internationally, including at Jacob’s Pillow, Lincoln Center, and Dance Theater Workshop, among many other places. Historias has been recognized as an American Masterpiece by the National Endowment for the Arts. Westwater has also performed in works by Sally Silvers and K.J. Holmes.
Since 2001, Westwater has taught at Sarah Lawrence College. She is also on the faculty of Movement Research, and serves on its Artist Advisory Council. Through workshops, talks, and writings she has explored the intersections of art and society at, most recently, UC Berkeley, University of Michigan, UCLA, and Norwegian University of Science and Technology.
Westwater received an MFA from Sarah Lawrence where she was awarded the Bessie Schönberg Scholarship, and a BA from William and Mary where she studied political economy and dance. Dedicated to advancing the working conditions of artists, as a founding member of Dancers Forum she co-authored The Compact.
Headshot photo by Jae Lee
FORMER SOLANGE MACARTHUR AWARD RECIPIENTS
Raja Feather Kelly
Recipient of the 2016 Solange MacArthur Award for New Choreography, Raja Feather Kelly was born in Fort Hood, Texas and is the first and only choreographer to dedicate the entirety of his company's work to Andy Warhol. He is the creator of ANDY WARHOL'S 25 CATS NAME SAM; ANDY WARHOL¹S DRELLA (I LOVE YOU FAYE DRISCOLL); ANDY WARHOL'S 15: COLOR ME, WARHOL; ANOTHER 37 REASONS TO CRY (ANOTHER WARHOLIAN PRODUCTION); ANDY WARHOL'S TROPICO; and many short works, all of which have been created and performed throughout various theatres in New York City. For over a decade, Kelly has worked throughout the United States and abroad (Austria, Germany, Australia, United Kingdom, and France) in search of the connections between popular culture and humanity and their integration into experiential dance-theatre. Kelly currently choreographs, writes, and directs his own work as Artistic Director of the feath3r theory, a culture-driven dance-theatre company. He is a two-time recipient of Jerome Foundation commissioning funds for emerging artists (Dixon Place 2015, Danspace Project 2016), Jerome Foundation Travel and Study Grant recipient (20132015 Paris + Lyon, France), 2016 Dancemapolitan Commissioned Choreographer, 2015 Dixon Place Dance Artist in Residence, LMCC Workspace Resident Recipient, and an Emerging Choreographer residency at Bates Dance Festival. He has been the Guest Choreographer in Residence at Princeton University, University of Maryland College Park, University of Florida, University of Utah, and Middlebury College; the Harkness Choreographer in Residence at Hunter College; 2009 and 2011 Dance Web Scholar (Vienna, Austria); and has received a Foundation for Contemporary Arts Emergency Grant. Kelly is a 2016 Gelsey Kirkland Academy Artist in Residence. Kelly can be seen in the work of Reggie Wilson/Fist and Heel Performance Group, Rebecca Lazier, and Christopher Williams. He has formerly been a company member with David Dorfman Dance, Zoe | Juniper, Racedance, and PearsonWidrig DanceTheater. Kelly collaborates with Tzveta Kassabova and Paul Matteson. He has had the pleasure of performing in the work of Colleen Thomas and Dancers, and Kyle Abraham/Abraham.In.Motion. He received his BA in both Dance (with honors, concentration in Choreography and Performance) and English (with honors, concentration in Poetry) from Connecticut College. Raja lives in Brooklyn, New York with loved ones and continues his quest for enlightenment through self-help books and memoirs.
Steven Reker moved to New York from Arizona in 2006, finding work as a dancer and guitarist on David Byrne's 2008-09 tour, as a composer in Yasuko Yokoshi's dance work, and as a choreographer for Miranda July's film The Future. In 2009, in The Kitchen's Dance and Process series, Reker debuted his own group, People Get Ready, to channel both sides of his creativity. NPR Music has called People Get Ready’s marriage of indie rock melodies and movement “the best mix of performance art and music in decades.” Reker premiered his first hybrid performance production, the eponymously titled People Get Ready, at The Kitchen in 2011. The New York Times wrote that his work had “blossomed into an ephemeral landscape where music works in tandem with movement and lights,” and described the production as “an experience beyond hearing music…or viewing dance.” He has recently served as a guest musical curator for PS122. He headlines a concert in Lincoln Center’s American Songbook series on February 27.
Chris Schlichting is a Minnesota-based choreographer and performer creating work that begins with movement impulses and then accumulate carefully measured layers of cultural sources and influences. Believing in a nimble and flexible definition of dance, he strives to unearth compelling examples that strike an uncertain balance between formal investigations and earnest expression; between large-scale spectacle and delicate intimacy; between dance conventions of presentational styles and elaborate ritual to simple moments of exposed vulnerability. Schlichting was named Best Choreographer in 2013 by Minneapolis-St. Paul City Pages for his work Matching Drapes, which also received two Sage Awards, including one for “Best Performance” and one for “Best Design”. He is the first recipient of the American Dance Institute’s (Rockville, MD) Commissioned Artist award, a new project that provides commissioning funds, fiscal sponsorship, developmental and production support for a new work from one U.S. based choreographer every year. Schlichting has been presented by venues throughout Minnesota, including the Southern Theater, the Bryant Lake Bowl, the Red Eye Theater, the Walker Art Center and many more; in New York at Danspace Project and as a frequent contributor to CATCH! performance series; at ODC in San Francisco, CA; and at Velocity in Seattle, WA. He frequently collaborates with Morgan Thorson, including performances in "Faker" and "Heaven", both of which enjoyed illustrious tours throughout the U.S. and for "Faker" also in Daejeon, South Korea. Schlichting’s work has been commissioned by Danspace Project at St. Marks (by Tere O’Connor for Food for Thought, by Judy Hussie-Taylor for the Body Madness Platform), James Sewell Ballet (Ballet Works Project), the Walker Art Center (The Momentum Series, the 25th Sculpture Garden Celebration, and for a new work in the 2014/15 performance season), The Southern Theater, Young Dance, and Zenon Dance Company. He was selected to participate in the Regional Dance Development Initiative (RDDI) and the Minnesota Contemporary Dance Platform (MCDP) and for the upcoming Dance USA Conference in June of 2014.
FUTURE ARTISTS INITIATIVE
Lumberyard’s Future Artists Initiative seeks to strengthen the future of the art form by awarding scholarships to a diverse group of talented students. In its first two years, the initiative has supported 25 deserving awardees to continue their studies, launch their professional careers, or attend the International Association of Blacks in Dance’s 1st Annual Women of Color Audition in Denver in January 2016.
2016-17 Future Artists Initiative Scholarship Awardees
In 2016, The Future Artists Initiative awarded scholarships to 10 pre-professional students ages 12-18. Drawn from a pool of 118 students nominated by 36 schools from across the country, this is an impressive group of hardworking young artists who exhibit strong leadership and remarkable talent.
School of American Ballet | New York, NY
Born in Texas and raised in New York City, Eunhye took her first dance classes at Dance Theatre of Harlem School as a toddler. At age five, she began gymnastics, training at NYC Elite and competing in state and national competitions. She returned to dance when Ballet Tech, the New York City Public School for Dance, selected her to join its fourth grade class as a result of a scouting visit to her Brooklyn elementary school. At Ballet Tech, Eunhye trained with the school’s founder, Eliot Feld, and quickly developed a passion for ballet and dance history. As a result of advice and encouragement received at a chance meeting with ballet legend Arthur Mitchell, Eunhye auditioned for the School of American Ballet and was accepted into the school’s 2015-16 winter term. Eunhye, is an eighth grader at Lab Middle School. In addition to her passion for ballet, she is dedicated to continuing the legacy of her great grandmother, who founded the Fort Jacque Adventist church in Petionville, Haiti. She visits the church’s elementary school annually to deliver toy and gift donations that she has collected throughout the year.
School of Ballet Arizona | Phoenix, AZ
Taina was born in Scottsdale, Arizona and began her early ballet training at the age of 4 at Yen-Li Chen Ballet School. She began studying at The School of Ballet Arizona in Phoenix in the summer of 2010 under the direction of Carlos Valcárcel. Over the past six years, Taina has performed multiple youth roles in Ballet Arizona’s productions of La Bayadère, Cinderella, The Sleeping Beauty, Ballet Under the Stars, and starred as Clara in Ballet Arizona’s The Nutcracker. In 2014 she became a student in the school’s Pre-Professional Ballet Program and has performed soloist roles including Puss and Boots Pas De Deux and Dance of the Four Cygnets in the school’s full-length productions of The Sleeping Beauty and Swan Lake. Taina has attended summer intensives at Miami City Ballet School and Pacific Northwest Ballet School.
The Dallas Conservatory | Dallas, TX
Jordan, 15, began his formal dance training at The Dallas Conservatory under the direction of Jacqueline Porter in the summer of 2014. After just 9 months of training, Jordan was offered and accepted a full scholarship to the School of American Ballet’s 2015 summer intensive. In January 2016, Jordan won the prestigious Grand Prix award for his ballet variation at the Youth America Grand Prix in Dallas and he placed first in ensembles as well. In 2016-17 Jordan will be a sophomore at Booker T. Washington High School for Visual and Performing Arts. He would like to thank his mother, and also his elementary teachers Rebecca Jeffery and Andrea Soto for introducing him to ballet in the DISD public school system.
Samuel Antonio Carnell
Ballet Idaho Academy | Boise, ID
Antonio has danced with Ballet Idaho Academy for 7 years and is currently in the academy’s professional division. Antonio has studied at summer intensives at Oregon Ballet Theater and the Nutmeg Conservatory and received offers to dance with the Alvin Ailey School as well as on full scholarship at the Gelsey Kirkland School of Dance and Burklyn. Antonio was also invited to join the Twin Sky Dance Intensive on a full tuition scholarship in Big Sky, Montana to dance alongside the James Sewell Ballet Company as an apprentice.
American Ballet Theatre Jacqueline Kennedy Onassis School | New York, NY
Kangmi Kim was born and raised in Seoul, South Korea where she began her ballet training at the Universal Ballet Academy. In 2016, she graduated from Sunhwa Arts, a prominent arts-focused middle and high school in Seoul, Korea. Kangmi had her first experience at an international dance competition when she participated in the 2016 Prix de Lausanne in Lausanne, Switzerland. Kangmi is delighted to be attending the ABT Jacqueline Kennedy Onassis School in New York City this fall as a Level 7 student. Her performance repertoire includes The Nutcracker (Small Clara and Mazurka Dance) and 18 Swans at Universal Ballet Company, and Le Corsaire (Odalisque) and The Sleeping Beauty (Lilac Fairy) at Sunhwa Arts High School.
The Louisville Ballet School
Kyla’s ballet training began at age 6 in an afterschool program under the direction of Yvette Morris. With encouragement from Mrs. Morris, Kyla joined 360 Dance Studio in Louisville, KY, under the instruction of Linda Ford Braun, Daylena Ruiz Garcia, Erica De La O, Greta Gully and Jessica Curtsinger. Kyla’s experience at Indiana Ballet Conservatory’s Summer Intensive in 2014 sparked a desire for more specialized ballet training year-round, and she enrolled in the Louisville Ballet School under the direction of Elena Diehl that fall. Kyla has also attended American Ballet Theater and School of American Ballet summer intensives and is a member of the Louisville Ballet Youth Ensemble for the 2016-2017 season.
Kansas City Ballet School | Kansas City, MO
Melody started dancing at the age of 3. Now 13, she trains an average of 20 hours per week and has performed with The Kansas City Ballet as Clara in The Nutcracker and in its productions of Cinderella and Alice in Wonderland as well as with the Dance Theater of Harlem in a Harriman-Jewell series production in Kansas City. She has attended Pacific Northwest Ballet’s summer intensive and participated in Youth America Grand Prix, where she placed in the top 12 and top 24 in her age group at the semi-finals in the past two years. Apart from dance, Melody also loves sports, art projects, and summer swim team. She participates in softball and is a member of her school’s cross-country team as well, all while maintaining a 4.0 grade point average.
Next Generation Ballet | Tampa, FL
Neal is a Trainee dancer with Next Generation Ballet under the direction of Philip Neal where he has been featured in soloist and principal roles. He recently won first place in the Senior Men’s Classical division during the Youth American Grand Prix semi-finals. In summer 2016 Neal attended the Houston Ballet Summer Intensive.
Orlando Ballet School | Orlando, FL
Born in Hanoi, Vietnam, Cara was adopted from a War and Invalids Orphanage at the age of seven months and returned to the US to live with her family. She began her ballet training at the Marta Jackson School of Dance in Jacksonville, Florida at the age of 8 and has trained at American Ballet Theatre’s Young Dancer Summer Intensive, Florida Ballet, and the Rock School For Dance Education. Cara placed in the Top 12 for her Classical performance at the Philadelphia (2015) and Tampa (2016) YAGP semi-finals, advanced to the second round of the World Ballet Competition (2016), and placed 4th at the American Dance Competition (2016).
Central Pennsylvania Youth Ballet
A student in the pre-professional division at Central Pennsylvania Youth Ballet, Danielle began her dance training at the age of three with New Paltz School of Ballet before studying privately with Nina Jirka. She continued her training at New York Academy of Ballet in Poughkeepsie, NY where she performed with the Poughkeepsie City Ballet. Danielle has attended summer intensives with the School of American Ballet, Pacific Northwest Ballet, and Boston Ballet, and she performed two consecutive years in the children’s corps with New York City Ballet in Coppélia and A Midsummer Night’s Dream during their summer residencies in Saratoga Springs, NY. She has also performed various roles in the Nutcracker at the Bardavon Opera House in Poughkeepsie and with the New Paltz Ballet Theatre.
In addition to those above, the Future Artists Initiative awards scholarships to students and young professional dancers at two institutions: The Washington Ballet’s Studio Company and American Ballet Theater’s Jacqueline Kennedy Onassis School.
THE WASHINGTON BALLET STUDIO COMPANY SCHOLARSHIPS
Peishan Xie of Shenzhen, China began her dance training at the age of 11 at Liaoning Ballet Academy of China. In 2010, she attended the Osaka International Youngsters Ballet Competition. In 2011, she attended Sapporo International Youngsters Ballet Competition and earned the Performance Award. In 2012, Xie was a finalist in the Youth America Grande Prix in New York. The 2016/17 season marks Xie’s third season with The Washington Ballet as a studio company member.
Nardia Boodoo from Baltimore, Maryland attended the Baltimore School for The Arts from 2004-09, the North Carolina School for The Arts 2009-10, and was a Professional Training Program (PTP) program dancer at Dance Theatre of Harlem 2010-11 on full scholarship. She has danced at Jacob’s Pillow in 2011 alongside a select group chosen to work with Stanton Welch on performing an original piece. Boodoo was a trainee at Joffrey Ballet in Chicago under the direction of Alexei Kremnev and Anna Reznik, where she performed in company pieces such as Don Quixote, Infra, The Nutcracker and was the lead in Choreographers of Color winner Jeremy McQueen’s Black Iris as well as various works by Alexei Kremnev. With The Washington Ballet, Boodoo has performed in many full-length ballets such as Giselle, Peter Pan and The Nutcracker, as well as Aaron Jackson’s Abstract Pieces. Boodoo joined Pennsylvania Ballet as an Apprentice for the 2016/2017 Season.
2015/16, 2016/17 Awardee
Darion Flores was born in Hartford, Connecticut. He began his training in both ballet and tap at the early age of 4. Flores studied classical ballet at the Hartt School under the direction of Miguel Campaneria before relocating to attend The University of North Carolina School of the Arts in Winston-Salem, NC. Upon graduating, Darion joined the Ellison Ballet Professional Training Program in New York, NY in order to further his classical ballet training . Flores has been fortunate enough to study with teachers such as Susan Jaffe, Misha Tchoupakov, Anne-Marie Holmes and many more. Darion has also received full scholarships to Dance Theatre of Harlem, San Francisco Ballet, American Ballet Theatre, and Boston Ballet summer intensives. He recently took part in the show So You Think You Can Dance as a season 12 top 20 finalist. The 2016/17 season is Flores’ second as a studio company member.
MICHAEL L. AND PAMELA BJERKNES ABT/JKO SCHOLARSHIP
New York, NY
Léa Fleytoux began classical ballet training at the age of four with Nicole Chouret at Ranelagh Theater in Paris. In 2007, she continued her studies at Conservatory Municipal “Camille Saint-Saens” of Paris, and in 2010 she joined the National High School of Dance of Marseille where, she trained for three years. In 2013, Léa began training at the Conservatory National Superior of Music and Dance of Paris (CNSMDP). In 2016, she participated in the Prix de Lausanne, received a diploma from CNSMDP, and began her studies at the Jacqueline Kennedy Onassis School of American Ballet Theater.
New York, NY
Born in Naples, Luigi Crispino began his ballet training at the age of 8. In 2005, he joined the Ballet School of San Carlo’s Theater, where he graduated in June 2015. While at the School, he performed leading roles such as Oberon in Midsummer Night’s Dream, Prince Charming in Snow White, and Capitan Uk in Peter Pan and danced in Napoli Pas De Six, Sleeping Beauty, Suite Baroque,E=Merce Cunningham, Hymns of Europe, Pinocchio, the Prince Igor and Orpheus and Eurydice. In 2014, he participated in the Prix Rome Jia Ruskaja by Italy’s Foundation of the National Academy of Dance. From 2012 to 2015, he danced in the Gala of the Ballet of San Carlo’s Theater. Also in 2015, he danced the role of Prince Charming in Snow White in the Festival Renato Fiumicelli 34th Edition. In August 2015, he won the prize for promising young talent in the Premio Danza Capri International, and that summer, he was awarded a scholarship to attend American Ballet Theater’s summer intensive. He attended the Jacqueline Kennedy Onassis School of American Ballet Theater with a Future Artists Initiative scholarship in 2015/16 and was hired into American Ballet Theater’s Studio Company in 2016.